Dunaway followed the success with another hit, The Thomas Crown Affair (1968), in which she played Vicki Anderson, an insurance investigator who becomes involved with Thomas Crown (Steve McQueen), a millionaire who attempts to pull off the perfect crime. Norman Jewison hired Dunaway after he saw scenes from Bonnie and Clyde before its release. As Arthur Penn had needed to persuade Warren Beatty to cast Dunaway, Jewison had to convince McQueen that she was right for the part. The film emphasized Dunaway's sensuality and elegance with a character who has remained an influential style icon. The role required over 29 costume changes and was a complex one to play.[20] "Vicki's dilemma was, at the time, a newly emerging phenomenon for women: How does one do all of this in a man's world and not sacrifice one's emotional and personal life in the process?"[21] Despite his original reluctance to work with her, McQueen later called Dunaway the best actress he ever worked with. Dunaway was also very fond of McQueen. "It was really my first time to play opposite someone who was a great big old movie star, and that's exactly what Steve was. He was one of the best-loved actors around, one whose talent more than equaled his sizable commercial appeal."[22] The film was immensely popular and was famed for a scene where Dunaway and McQueen play a chess game and silently engage in a seduction of each other across the board.
In 1988, she appeared in the period drama The Gamble but felt that the best part of this experience turned out to be meeting her co-star Matthew Modine.[72] The following year, she produced and starred in an adaptation for television of Olive Ann Burns' historical novel Cold Sassy Tree. Dunaway co-starred with Richard Widmark and Neil Patrick Harris as an enchanting dressmaker who lightens up the lives of a young boy and his grandfather, whom she marries, to the town's disapproval. The film aired on TNT to great success and became one of Dunaway's favorite experiences. "What gave Cold Sassy its heart were the people who were involved. It was an incredible collaboration, and I treasure the experience as much as the result, of which I am extremely proud."[73] That same year, she agreed to take part in Wait Until Spring, Bandini with Joe Mantegna as a favor to Tom Luddy, who had produced Barfly.[72] Also in 1989, she appeared in the Italian drama Crystal or Ash, Fire or Wind, as Long as It's Love as she wanted to work with director Lina Wertmüller.[72] In 1990, she was reunited with Robert Duvall, with whom she had co-starred in Network, in Volker Schlöndorff's adaptation of the Margaret Atwood novel, The Handmaid's Tale. The film did not do well at the box office but Dunaway's performance earned her good reviews. Roger Ebert wrote that, "Duvall and Dunaway provide the best moments in the movie, he by showing the unconscious egotism of the male libido, she by showing that in all times and all weathers, some kinds of women will gauge their happiness by the degree to which their family's exterior appearance matches the accepted values of society."[74]
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Music on MainLikeAdd to a ListThis free outdoor summer music series is back for its 15th year with an impressive schedule of local talent, continuing this week with nostalgic '80s classics from tribute band My Siamese Twin.(SW Main between Broadway and Park, Downtown)
CryptozooLikeAdd to a ListThe film industry has churned out 29 Marvel movies we didn't ask for, so it's nice to see that there's still some funding left for visionary, wackadoo projects like this. Comic book writer-turned-director Dash Shaw's Cryptozoo tells of a dream-eating creature and the cryptozookeepers who hope to find it. Set in '60s San Francisco, a pair of lovers become entangled in the tale's experimental, kaleidoscopic imagery. (Seriously, pop an edible and watch the trailer.) (Whitsell Auditorium, South Park Blocks) 2ff7e9595c
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